Audio Damage Eos AU VST 1.0.2.0 MAC HAPPY NEW YEAR

Audio Damage Eos AU VST 1.0.2.0 MAC HAPPY NEW YEAR | 1.48 MB

Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.
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Audio Damage Fluid VST AU UB 1.1 MAC

Audio Damage Fluid VST AU UB 1.1 MAC HAPPY NEW YEAR | 3.40 MB

Fluid is an analog-modeled chorus capable of subtle phasey widening to full-on modulation mayhem. From giving pads a wide stereo stage to livening up stiff and static guitar parts, Fluid makes chorus a useful effect again.
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Audio Damage Liquid VST AU UB 1.0.1 MAC

Audio Damage Liquid VST AU UB 1.0.1 MAC  | 4.67 MB

Liquid is an analog-style through-zero flanger. Unlike traditional flangers, which are just short delays with a bit of feedback, Liquid models the original flanging method, where two tape machines were used to create artificial double-tracking effects. The difference in sound between this type of flanger and what is commonly available is significant, and Liquid provides a much more usable effect. Perfect for “stereo-izing” monophonic signals like voice and vintage analog synths, Liquid also provides more mind-bending flanging at higher feedback settings.

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Audio Damage Eos VST 1.0.1.0

Audio Damage Eos VST 1.0.1.0 | 6.43 MB

Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.
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Audio Damage DubStation v1.5 VST (PC)

Audio Damage Dubstation VST 1.5 | 6.49 MB

The DubStation plug-in is modeled on the “bucket-brigade” style of vintage delay units, and has all the mojo that made those boxes great. Accurate down to the warm sound of the feedback loop and the low-fidelity character of the originals, DubStation is just what the (witch) doctor ordered. DubStation is available as a VST effect for Windows, and as an AU/VST Universal Binary for OSX. Note that you must have OSX 10.4.1 or greater to use the DubStation PPC version or 10.4.4u or greater to use the DubStation Intel version.
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Audio Damage 914 Fixed Filter Bank v1.0.3 VST AU MAC OSX UB

The Audio Damage 914 Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer’s 914 module, and a major upgrade to our original 907A plugin. This plugin creates unique filter textures by passing the signal through twelve band-pass filters, as well as a low-pass and high-pass filter.
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Audio Damage BigSeq2 VST v1.0 Regged

Audio Damage BigSeq2 VST v1.0 Regged | 1.8 MB

BigSeq2 is a massive extension to the feature set of our popular BigSeq gate effect. With twelve sequencers controlling ten effects in six blocks, BigSeq2 is capable of everything from short staccato gate sequences to long, evolving filter sweeps and frequency shifts, and everything in between.

The six effect “Blocks” contain ten effects in total, and these Blocks can be re-arranged simply by dragging them, giving you full control over the routing of the effects. Each effect Block has a gate sequencer and a modulation sequencer. The gate sequencer turns that effect on and off (or in the case of the delay Block, activates the “send” control), while the modulation sequencer can affect any and all parameters in that block.

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Audio Damage ADverb v1.0.3.1 VST DYNAMiCS (PC)

Audio Damage ADverb v1.0.3.1 VST DYNAMiCS (PC) | 3 MB

ADverb  is a plate reverb simulation inspired by vintage digital hardware. It faithfully recreates the thick sonic character and easy-to-use interface of those early units, while providing the low noise floor and big headroom inherent in modern software-based reverb.

ADverb is Reverence renamed

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Audio Damage ADverb v1.0.4 VST AU MAC OSX UB – DYNAMiCS

Audio Damage ADverb v1.0.4 VST AU MAC OSX UB – DYNAMiCS – 1.79mb

ADverb is a plate reverb simulation inspired by vintage digital
hardware. It faithfully recreates the thick sonic character and
easy-to-use interface of those early units, while providing the low
noise floor and big headroom inherent in modern software-based
reverb.
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